The ancient Egyptians have been the object of interest to the civilized world in all ages; for Egypt was the favorite home of civilization, science, and religion. It was a little country, the gift of the river Nile; a little strip of land not more than seven miles wide, but containing innumerable cities and towns, and in ancient times supporting seven millions of inhabitants. Renowned for its discoveries in art and science, it was the world's university; where Moses and Pythagoras, Herodotus and Plato, all philosophers and lawgivers, went to school. The Egyptians knew the length of the year and the form of the earth; they could calculate eclipses of the sun and moon; were partially acquainted with geometry, music, chemistry, the arts of design, medicine, anatomy, architecture, agriculture, and mining. In architecture, in the qualities of grandeur and massive proportions, they are yet to be surpassed.
The largest buildings elsewhere erected by man are smaller than their pyramids; which are also the oldest human works still remaining, the beauty of whose masonry, says Wilkinson, has not been surpassed in any subsequent age. An obelisk of a single stone now standing in Egypt weighs three hundred tons, and a colossus of Ramses II. nearly nine hundred. But Herodotus describes a monolithic temple, which must have weighed five thousand tons, and which was carried the whole length of the Nile, to the Delta. And there is a roof of a doorway at Karnak, covered with sandstone blocks forty feet long. Sculpture and bas-reliefs three thousand five hundred years old, where the granite is cut with exquisite delicacy, are still to be seen throughout Egypt. Many inventions, hitherto supposed to be modern, such as glass, mosaics, false gems, glazed tiles, enamelling, were well known to the Egyptians. But, for us, the most fortunate circumstance in their taste was their fondness for writing.
No nation has ever equalled them in their love for recording all human events and transactions. They wrote down all the details of private life with wonderful zeal, method, and regularity. Every year, month, and day had its record, and thus Egypt is the monumental land of the earth. Bunsen says that "the genuine Egyptian writing is at least as old as Menes, the founder of the Empire; perhaps three thousand years before Christ." No other human records, whether of India or China, go back so far. Lepsius saw the hieroglyph of the reed and inkstand on the monuments of the fourth dynasty, and the sign of the papyrus roll on that of the twelfth dynasty, which was the last but one of the old Empire. "No Egyptian," says Herodotus, "omits taking accurate note of extraordinary and striking events." Everything was written down.
Scribes are seen everywhere on the monuments, taking accounts of the products of the farms, even to every single egg and chicken. "In spite of the ravages of time, and though systematic excavation has scarcely yet commenced," says Bunsen, "we possess chronological records of a date anterior to any period of which manuscripts are preserved, or the art of writing existed in any other quarter." Because they were thus fond of recording everything, both in pictures and in three different kinds of writing; because they were also fond of building and excavating temples and tombs in the imperishable granite; because, lastly, the dryness of the air has preserved for us these paintings, and the sand which has buried the monuments has prevented their destruction,—we have wonderfully preserved, over an interval of forty-five centuries, the daily habits, the opinions, and the religious faith of that ancient time.
The oldest mural paintings disclose a state of the arts of civilization so advanced as to surprise even those who have made archæology a study, and who consequently know how few new things there are under the sun. It is not astonishing to find houses with doors and windows, with verandas, with barns for grain, vineyards, gardens, fruit-trees, etc. We might also expect, since man is a fighting animal, to see, as we do, pictures of marching troops, armed with spears and shields, bows, slings, daggers, axes, maces, and the boomerang; or to notice coats of mail, standards, war-chariots; or to find the assault of forts by means of scaling-ladders. But these ancient tombs also exhibit to us scenes of domestic life and manners which would seem to belong to the nineteenth century after our era, rather than to the fifteenth century before it.
Thus we see monkeys trained to gather fruit from the trees in an orchard; houses furnished with a great variety of chairs, tables, ottomans, carpets, couches, as elegant and elaborate as any used now. There are comic and genre pictures of parties, where the gentlemen and ladies are sometimes represented as being the worse for wine; of dances where ballet-girls in short dresses perform very modern-looking pirouettes; of exercises in wrestling, games of ball, games of chance like chess or checkers, of throwing knives at a mark, of the modern thimblerig, wooden dolls for children, curiously carved wooden boxes, dice, and toy-balls. There are men and women playing on harps, flutes, pipes, cymbals, trumpets, drums, guitars, and tambourines. Glass was, till recently, believed to be a modern invention, unknown to the ancients. But we find it commonly used as early as the age of Osertasen I., more than three thousand eight hundred years ago; and we have pictures of glass-blowing and of glass bottles as far back as the fourth dynasty.
The best Venetian glass-workers are unable to rival some of the old Egyptian work; for the Egyptians could combine all colors in one cup, introduce gold between two surfaces of glass, and finish in glass details of feathers, etc., which it now requires a microscope to make out. It is evident, therefore, that they understood the use of the magnifying-glass. The Egyptians also imitated successfully the colors of precious stones, and could even make statues thirteen feet high, closely resembling an emerald. They also made mosaics in glass, of wonderfully brilliant colors. They could cut glass, at the most remote periods. Chinese bottles have also been found in previously unopened tombs of the eighteenth dynasty, indicating commercial intercourse reaching as far back as that epoch. They were able to spin and weave, and color cloth; and were acquainted with the use of mordants, the wonder in modern calico-printing. Pliny describes this process as used in Egypt, but evidently without understanding its nature. Writing-paper made of the papyrus is as old as the Pyramids.
The Egyptians tanned leather and made shoes; and the shoemakers on their benches are represented working exactly like ours. Their carpenters used axes, saws, chisels, drills, planes, rulers, plummets, squares, hammers, nails, and hones for sharpening. They also understood the use of glue in cabinet-making, and there are paintings of veneering, in which a piece of thin dark wood is fastened by glue to a coarser piece of light wood. Their boats were propelled by sails on yards and masts, as well as by oars. They used the blow-pipe in the manufacture of gold chains and other ornaments. They had rings of gold and silver for money, and weighed it in scales of a careful construction. Their hieroglyphics are carved on the hardest granite with a delicacy and accuracy which indicates the use of some metallic cutting instrument, probably harder than our best steel. The siphon was known in the fifteenth century before Christ. The most singular part of their costume was the wig, worn by all the higher classes, who constantly shaved their heads, as well as their chins,—which shaving of the head is supposed by Herodotus to be the reason of the thickness of the Egyptian skull.
They frequently wore false beards. Sandals, shoes, and low boots, some very elegant, are found in the tombs. Women wore loose robes, ear-rings, finger-rings, bracelets, armlets, anklets, gold necklaces. In the tombs are found vases for ointment, mirrors, combs, needles. Doctors and drugs were not unknown to them; and the passport system is no modern invention, for their deeds contain careful descriptions of the person, exactly in the style with which European travellers are familiar. We have only mentioned a small part of the customs and arts with which the tombs of the Egyptians show them to have been familiar. These instances are mostly taken from Wilkinson, whose works contain numerous engravings from the monuments which more than verify all we have said.
The celebrated French Egyptologist, M. Mariette, has very much enlarged our knowledge of the more ancient dynasties, by his explorations, first under a mission from the French government, and afterward from that of Egypt. The immense temples and palaces of Thebes are all of a date at least B.C. 1000. We know the history of Egypt very well as far back as the time of the Hyksôs, or to the eighteenth dynasty. M. Mariette has discovered statues and Sphinxes which he believes to have been the work of the Hyksôs, the features being wholly different from that of the typical Egyptian. Four of these Sphinxes, found by Mariette on the site of the old Tanis, have the regular body of a lion, according to the canon of Egyptian art, but the human heads are wholly un-Egyptian. Mariette, in describing them, says that in the true Egyptian Sphinx there is always a quiet majesty, the eye calm and wide open, a smile on the lips, a round face, and a peculiar coiffure with wide open wings. Nothing of this is to be found in these Sphinxes. Their eyes are small, the nose aquiline, the cheeks hard, the mouth drawn down with a grave expression.
These Shepherd Kings, the Hyksôs, ruled Lower Egypt, according to Manetho, five hundred and eleven years, which, according to Renan, brings the preceding dynasty (the fourteenth of Manetho) as early as B.C. 2000. Monuments of the twelfth and thirteenth dynasties are common. The oldest obelisk dates B.C. 2800. Thanks to the excavations of M. Mariette, we now have a large quantity of sculptures and statues of a still earlier epoch. M. Renan describes tombs visited by himself, which he considers to be the oldest known, and which he regards as being B.C. 4000, where were represented all the details of domestic life. The tone of these pictures was glad and gay; and, what is remarkable, they had no trace of the funeral ritual or the god Osiris. These were not like tombs, but rather like homes. To secure the body from all profanation, it was concealed in a pit, carefully hidden in the solid masonry. These tombs belong to the six first dynasties.
The great antiquity of Egyptian civilization is universally admitted; but to fix its chronology and precise age becomes very difficult, from the fact that the Egyptians had no era from which to date forward or backward. This question we shall return to in a subsequent section of this chapter.