Creuzer, in speaking of the Italian worship, says that "one fact which emerges more prominently than any other is the concourse of Oriental, Pelasgic, Samothracian, and Hellenic elements in the religion of Rome." In like manner the Roman deities bear traces of very different sources. We have found reason to believe, in our previous chapters, that the religion of Egypt had a twofold origin, from Asiatic and African elements, and that the religion of Greece, in like manner, was derived from Egyptian and Pelasgic sources. So, too, we find the institutions and people of Rome partaking of a Keltic and Pelasgic origin. Let us now see what was the character of the Roman deities.
One of the oldest and also most original of the gods of Rome was the Sabine god JANUS. He was the deity who presided over beginnings and endings, over the act of opening and shutting. Hence the month which opened the year, January, received its name from this god, who also gave his name to Janua, a gate or door, and probably to the hill Janiculum.
The Romans laid great stress on all beginnings; believing that the commencement of any course of conduct determined, by a sort of magical necessity, its results. Bad success in an enterprise they attributed to a wrong beginning, and the only remedy, therefore, was to begin anew. Ovid (Fasti, I. 179) makes Janus say, "All depends on the beginning." When other gods were worshipped, Janus was invoked first of all. He was god of the year. His temple had four sides for the four seasons, and each side had three windows for the months. That his temple was open in war, but closed in peace, indicated that the character of Rome in times of war was to attack and not to defend. She then opened her gates to send her troops forth against the enemy; while in seasons of peace she shut them in at home. This symbol accords well with the haughty courage of the Republic, which commanded victory, by not admitting the possibility of defeat.
This deity is believed by Creuzer and others to have had an Indian origin, and his name to have been derived from the Sanskrit "Jan," to be born. He resembles no Greek god, and very probably travelled all the way from Bactria to Rome.
On the Kalends of January, which was the chief feast of Janus, it was the duty of every Roman citizen to be careful that all he thought, said, or did should be pure and true, because this day determined the character of the year. All dressed themselves in holiday garb, avoided oaths, abusive words, and quarrels, gave presents, and wished each other a happy year. The presents were little coins with a Janus-head, and sweetmeats. It was customary to sacrifice to Janus at the beginning of all important business.
Janus was the great god of the Sabines, and his most ancient temple appears to have been on Mount Janiculum. The altar of Fontus, son of Janus, and the tomb of Numa, a Sabine king, were both supposed to be there. Ovid also makes Janus say that the Janiculum was his citadel. Ampère remarks as a curious coincidence, that this god, represented with a key in his hand, as the heavenly gate-keeper, should have his home on the hill close to the Vatican, where is the tomb of Peter, who also bears a key with the same significance. The same writer regards the Sabines as inhabiting the hills of Rome before the Pelasgi came and gave this name of Roma (meaning "strength") to their small fortress on one side of the Palatine.
In every important city of Etruria there were temples to the three gods, JUPITER, JUNO, and MINERVA. In like manner, the magnificent temple of the Capitol at Rome consisted of three parts,—a nave, sacred to Jupiter; and two wings or aisles, one dedicated to Juno and the other to Minerva. This temple was nearly square, being two hundred and fifteen feet long and two hundred feet wide; and the wealth accumulated in it was immense. The walls and roof were of marble, covered with gold and silver.
JUPITER, the chief god of Rome, according to most philologists, derives his name (like the Greek Ζεὸς) from the far-away Sanskrit word "Div" or "Diu," indicating the splendor of heaven or of day. Ju-piter is from "Djaus-Pitar," which is the Sanskrit for Father of Heaven, or else from "Diu-pitar," Father of Light. He is, at all events, the equivalent of the Olympian Zeus. He carries the lightning, and, under many appellations, is the supreme god of the skies. Many temples were erected to him in Rome, under various designations. He was called Pluvius, Fulgurator, Tonans, Fulminator, Imbricitor, Serenator,—from the substantives designating rain, lightning, thunder, and the serene sky. Anything struck with lightning became sacred, and was consecrated to Jupiter. As the supreme being he was called Optimus Maximus, also Imperator, Victor, Invictus, Stator, Prædator, Triumphator, and Urbis Custos. And temples or shrines were erected to him under all these names, as the head of the armies, and commander-in-chief of the legions; as Conqueror, as Invincible, as the Turner of Flight, as the God of Booty, and as the Guardian of the City. There is said to have been in Rome three hundred Jupiters, which must mean that Jupiter was worshipped under three hundred different attributes. Another name of this god was Elicius, from the belief that a method existed of eliciting or drawing down the lightning; which belief probably arose from an accidental anticipation of Dr. Franklin's famous experiment. There were no such myths told about Jupiter as concerning the Greek Zeus. The Latin deity was a much more solemn person, his whole time occupied with the care of the city and state. But traces of his origin as a ruler of the atmosphere remained rooted in language; and the Romans, in the time of Augustus, spoke familiarly of "a cold Jupiter," for a cold sky, and of a "bad Jupiter," for stormy weather.
The Juno of the Capitol was the Queen of Heaven, and in this sense was the female Jupiter. But Juno was also the goddess of womanhood, and had the epithets of Virginensis, Matrona, and Opigena; that is, the friend of virgins, of matrons, and the daughter of help. Her chief festival was the Matronalia, on the first of March, hence called the "Women's Kalends." On this day presents were given to women by their husbands and friends. Juno was the patroness of marriage, and her month of June was believed to be very favorable for wedlock. As Juno Lucina she presided over birth; as Mater Matuta, over children; as Juno Moneta, over the mint.
The name of Minerva, the Roman Athênê, is said to be derived from an old Etruscan word signifying mental action. In the songs of the Sabians the word "promenervet" is used for "monet." The first syllable evidently contains the root, which in all Aryan languages implies thought. The Trinity of the Capitol, therefore, united Power, Wisdom, and Affection, as Jupiter, Minerva, and Juno. The statue of Minerva was placed in schools. She had many temples and festivals, and one of the former was dedicated to her as Minerva Medica.
The Roman pantheon contained three classes of gods and goddesses. First, the old Italian divinities, Etruscan, Latin, and Sabine, naturalized and adopted by the state. Secondly, the pale abstractions of the understanding, invented by the College of Pontiffs for moral and political purposes. And thirdly, the gods of Greece, imported, with a change of name, by the literary admirers and imitators of Hellas.
The genuine deities of the Roman religion were all of the first order. Some of them, like Janus, Vertumnus, Faunus, Vesta, retained their original character; others were deliberately confounded with some Greek deity. Thus Venus, an old Latin or Sabine goddess to whom Titus Tatius erected a temple as Venus Cloacina, and Servius Tullius another as Venus Libertina, was afterward transformed into the Greek Aphroditê, goddess of love. If it be true, as is asserted by Nævius and Plautus, that she was the goddess of gardens, as Venus Hortensis and Venus Fruti, then she may have been originally the female Vertumnus. So Diana was originally Diva Jana, and was simply the female Janus, until she was transformed into the Greek Artemis.
The second class of Roman divinities were those manufactured by the pontiffs for utilitarian purposes,—almost the only instance in the history of religion of such a deliberate piece of god-making. The purpose of the pontiffs was excellent; but the result, naturally, was small. The worship of such abstractions as Hope (Spes), Fear (Pallor), Concord (Concordia), Courage (Virtus), Justice (Æquitas), Clemency (Clementia), could have little influence, since it must have been apparent to the worshipper himself that these were not real beings, but only his own conceptions, thrown heavenward.
The third class of deities were those adopted from Greece. New deities, like Apollo, were imported, and the old ones Hellenized. The Romans had no statues of their gods in early times; this custom they learned from Greece. "A full river of influence," says Cicero, "and not a little brook, has flowed into Rome out of Greece." They sent to Delphi to inquire of the Greek oracle. In a few decades, says Hartung, the Roman religion was wholly transformed by this Greek influence; and that happened while the senate and priests were taking the utmost care that not an iota of the old ceremonies should be altered. Meantime the object was to identify the objects of worship in other countries with those worshipped at home. This was done in an arbitrary and superficial way, and caused great confusion in the mythologies. Accidental resemblances, slight coincidences of names, were sufficient for the identification of two gods. As long as the service of the temple was unaltered, the priests troubled themselves very little about such changes. In this way, the twelve gods of Olympus—Zeus, Poseidôn, Apollo, Arês, Hêphæstos, Hermes, Hêrê, Athênê, Artemis, Aphroditê, Hestia, and Dêmêtêr—were naturalized or identified as Jupiter, Neptune, Apollo, Mars, Vulcan, Mercury, Juno, Minerva, Diana, Venus, Vesta, and Ceres, Dionysos became Liber or Bacchus; Persephonê, Proserpina; and the Muses were accepted as the Greeks had imagined them.
To find the true Roman worship, therefore, we must divest their deities of these Greek habiliments, and go back to their original Etruscan or Latin characters.
Among the Etruscans we find one doctrine unknown to the Greeks and not adopted by the Romans; that, namely, of the higher "veiled deities,"superior to Jupiter. They also had a dodecad of six male and six female deities, the Consentes and Complices, making a council of gods, whom Jupiter consulted in important cases. Vertumnus was an Etruscan; so, according to Ottfried Müller, was the Genius. So are the Lares, or household protectors, and Charun, or Charon, a power of the under-world. The minute system of worship was derived by Rome from Etruria. The whole system of omens, especially by lightning, came from the same source.
After Janus, and three Capitoline gods (Jupiter, Juno, and Minerva), above mentioned, the Romans worshipped a series of deities who may be classed as follows:—
I. Gods representing the powers of nature:—
1. SOL, the Sun. A Sabine deity. In later times the poets attributed to him all the characters of Helios; but as a Roman god, he never emerged into his own daylight.
2. LUNA, the Moon. Also regarded as of Sabine origin.
3. MATER MATUTA. Mother of Day, that is, the dawn. Worshipped at the Matronalia in June, as the possessor of all motherly qualities, and especially as the protector of children from ill-treatment. As the storms were apt to go down at morning, she was appealed to to protect mariners from shipwreck. The consul Tib. Semp. Gracchus dedicated a temple to her B.C. 176.
4. TEMPESTATES, the tempests. A temple was dedicated to the storms, B.C. 259.
5. VULCANUS. This name is supposed to be from the same root as "fulgeo," to shine. He was an old Italian deity. His temple is mentioned as existing B.C. 491.
6. FONTUS, the god of fountains. The Romans valued water so highly, that they erected altars and temples to this divinity, and had a feast of fountains (Fontinalia) on October 13th. There were also goddesses of fountains, as Lynapha Juturna, the goddess of mineral springs. Egeria is the only nymph of a fountain mentioned in Roman mythology.
7. DIVUS PATER TIBERINUS, or Father Tiber, was of course the chief river god. The augurs called him Coluber, the snake, from his meandering and bending current.
8. NEPTUNUS. The origin of this word has been a great puzzle to the learned, who, however, connect it with nebula, a cloud, as the clouds come from the sea. He had his temple and his festivals at Rome.
Other deities connected with the powers of nature were PORTUNUS, the god of harbors; SALACIA, a goddess of the salt sea; TRANQUILLITAS, the goddess of calm weather.
II. Gods of human relations:—
1. VESTA, an ancient Latin goddess, and one of the oldest and most revered. She was the queen of the hearth and of the household fire. She was also the protector of the house, associated with the Lares and Penates. Some offering was due to her at every meal. She sanctified the home.
Afterward, when all Rome became one vast family, Vesta became the goddess of this public home, and her temple was the fireside of the city, in which burned always the sacred fire, watched by the vestal virgins. In this worship, and its associations, we find the best side of Roman manners,—the love of home, the respect for family life, the hatred of impurity and immodesty. She was also called "the mother," and qualified as Mater Stata, that is, the immovable mother.
2. The PENATES and LARES. These deities were also peculiarly Roman. The Lar, or Lares, were supposed to be the souls of ancestors which resided in the home and guarded it. Their images were kept in an oratory or domestic chapel, called a Lararium, and were crowned by the master of the house to make them propitious. The paterfamilias conducted all the domestic worship of the household, whether of prayers or sacrifices, according to the maxim of Cato, "Scito dominum pro tota familia rem divinam facere."
The Penates were beings of a higher order than the Lares, but having much the same offices. Their name was from the words denoting the interior of the mansion (Penetralia, Penitus). They took part in all the joys and sorrows of the family. To go home was "to return to one's Penates." In the same way, "Lar meus" meant "my house "; "Lar conductus," "a hired house "; "Larem mutare" meant to change one's house. Thus the Roman in his home felt himself surrounded by invisible friends and guardians. No other nation, except the Chinese, have carried this religion of home so far. This is the tender side of the stern Roman character. Very little of pathos or sentiment appears in Roman poetry, but the lines by Catullus to his home are as tender as anything in modern literature. The little peninsula of Sirmio on the Lago di Garda has been glorified by these few words.
3. The GENIUS. The worship of the genius of a person or place was also peculiarly Italian. Each man had his genius, from whom his living power and vital force came. Tertullian speaks of the genius of places. On coins are found the Genius of Rome. Almost everything had its genius,—nations, colonies, princes, the senate, sleep, the theatre. The marriage-bed is called genial, because guarded by a genius. All this reminds us of the Fravashi of the Avesta and of the Persian monuments. Yet the Genius also takes his place among the highest gods.
III. Deities of the human soul:—
1. MENS, Mind, Intellect.
2. PUDICITIA, Chastity.
3. PIETAS, Piety, Reverence for Parents.
4 FIDES, Fidelity.
5. CONCORDIA, Concord.
6. VIRTUS, Courage.
7. SPES, Hope.
8. PALLOR or PAVOR, Fear.
9. VOLUPTAS, Pleasure.
IV. Deities of rural and other occupations:—
1. TELLUS, the Earth.
2. SATURNUS, Saturn. The root of this name is SAO = SERO, to sow. Saturn is the god of planting and sowing.
3. OPS, goddess of the harvest.
4. MARS. Originally an agricultural god, dangerous to crops; afterwards god of war.
5. SILVANUS, the wood god.
6. FAUNUS, an old Italian deity, the patron of agriculture.
7. TERMINUS, an old Italian deity, the guardian of limits and boundaries.
8. CERES, goddess of the cereal grasses.
9. LIBER, god of the vine, and of wine.
10. BONA DEA, the good goddess. The worship of the good goddess was imported from Greece in later times; and perhaps its basis was the worship of Dêmêtêr. The temple of the good goddess was on Mount Aventine. At her feast on the 1st of May all suggestions of the male sex were banished from the house; no wine must be drunk; the myrtle, as a symbol of love, was removed. The idea of the feast was of a chaste marriage, as helping to preserve the human race.
11. MAGNA MATER, or Cybele. This was a foreign worship, but early introduced at Rome.
12. FLORA. She was an original goddess of Italy, presiding over flowers and blossoms. Great license was practised at her worship.
13. VERTUMNUS, the god of gardens, was an old Italian deity, existing before the foundation of Rome.
14. POMONA, goddess of the harvest.
18. PALES. A rural god, protecting cattle. At his feast men and cattle were purified.
The Romans had many other deities, whose worship was more or less popular. But those now mentioned were the principal ones. This list shows that the powers of earth were more objects of reverence than the heavenly bodies. The sun and stars attracted this agricultural people less than the spring and summer, seedtime and harvest. Among the Italians the country was before the city, and Rome was founded by country people.